Formed in 2001 by brothers Andrew
R. Powell and Chris Powell, the goal of Powell Factory Films has
always been to combine talented people and emerging technologies
to produce outstanding shows and films from modest budgets. As a
writer, director, editor, and 20 year composing veteran who has
been at the forefront of media technology since the mid 80's, Andrew
felt the time was right to go independent. |
|
| |
|
"The technology these days
is remarkable, but it's still all about storytelling. If
you develop your script to the fullest extent before a single
frame of film is shot, when you get to post, you've got
something great to work with rather than a slew of problems
to fix." |
|
|
| |
|
Powell Factory Films was founded by a third
Powell, Joanne, who sadly was diagnosed with breast cancer in August
of 2003 and died just three weeks later at the age of 34. Principal
photography had just been wrapped on "Quitters", but her
death put Powell Factory Films on hiatus for a year until the award-winning
short was finally completed. |
|
| |
|
Joanne's death was a huge blow and in fact,
Chris opted to take a backseat in the company sticking strictly
to his first love, post sound engineering. Without a partner, Andrew
returned to scoring work. |
|
| |
|
| Early in 2005, however, Andrew was approached by director Kurt Voss
to co-proudce, edit, and score a feature-length documentary about
controversial punk musician Jeffrey Lee Pierce and his band The Gun
Club. Eager to get "The Factory" rolling again, Andrew jumped
in and didn't emerge until "Ghost
on the Highway" was finished six months later in July of
2006. |
|
| |
|
| Now based in Canada, Andrew R. Powell and Powell Factory Films have
begun teaming up with local talent to develop "Alberta Beach"
for television and "Postcards from Alberta Beach" for the
internet. |
|
| |
|
"I think I'm more excited
about 'Alberta Beach' than anything I've done before. Anyone
who's spent some time in the Canadian prairies knows how
weird and whacky it can be up here... and anyone who hasn't?
Well, they're in for a real treat." |
|
|